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Vous avez sélectionné:
Kamada, Mikio
Partitions à imprimer
302 partitions trouvées
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Six Sonatas No.1 for three Clarinets, Op.7-1
Six Sonatas No.1 for three Clarinets, Op.7-1
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Six Sonatas No.1 for three Cla
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ACORDO Sheet Music
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.1169917 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. Arranged by Kamada, ...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.1169917 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. Arranged by Kamada, Mikio. Baroque. 24 pages. ACORDO Sheet Music #770282. Published by ACORDO Sheet Music (A0.1169917). Joseph Bodin de Boismortier (1689-1755) was a French baroque composer. This piece is one of six sonatas Op.7 originally written for three flutes. It consists of five movements, 1. Gravement, 2. Allemande/Gayment, 3. Lentement, 4. Gavotte en Rondeau, and 5. Gayment. Simple and tightly-contained interaction between three parts. Enjoyable to play with not so high skill in technique.The part notes include both for A and Bâ™ clarinets.
$10.00 ≈
8.96€
Six Sonatas No.1 for three Violas, Op.7-1
Six Sonatas No.1 for three Violas, Op.7-1
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Trio à cordes: 3 altos
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INTERMÉDIAIRE
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Classique
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Six Sonatas No.1 for three Vio
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ACORDO Sheet Music
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SheetMusicPlus
String Ensemble,String Trio Viola - Level 3 - SKU: A0.1169912 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. Arranged by K...
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String Ensemble,String Trio Viola - Level 3 - SKU: A0.1169912 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. Arranged by Kamada, Mikio. Baroque. Score and parts. 15 pages. ACORDO Sheet Music #770277. Published by ACORDO Sheet Music (A0.1169912). Joseph Bodin de Boismortier (1689-1755) was a French baroque composer. This piece is one of six sonatas Op.7 originally written for three flutes. It consists of five movements, 1. Gravement, 2. Allemande/Gayment, 3. Lentement, 4. Gavotte en Rondeau, and 5. Gayment. Simple and tightly-contained interaction between three parts. Enjoyable to play with not so high skill in technique.
$10.00 ≈
8.96€
Six Sonatas No.1 for String Trio, Op.7-1
Six Sonatas No.1 for String Trio, Op.7-1
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Six Sonatas No.1 for String Tr
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ACORDO Sheet Music
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1169920 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1169920 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. Arranged by Kamada, Mikio. Baroque. Score and parts. 15 pages. ACORDO Sheet Music #770285. Published by ACORDO Sheet Music (A0.1169920). Joseph Bodin de Boismortier (1689-1755) was a French baroque composer. This piece is one of six sonatas Op.7 originally written for three flutes. It consists of five movements, 1. Gravement, 2. Allemande/Gayment, 3. Lentement, 4. Gavotte en Rondeau, and 5. Gayment. Simple and tightly-contained interaction between three parts. Enjoyable to play with not so high skill in technique.
$10.00 ≈
8.96€
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata, Adagio and Fugue in C
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet - Level 5 - SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #10535...
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Instrumental Duet - Level 5 - SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.
$14.20 ≈
12.72€
"Intermezzo Sinfonico" from Cavalleria Rusticana for Violin, Viola, and Piano
"Intermezzo Sinfonico" from Cavalleria Rusticana for Violin, Viola, and Piano
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Pietro Mascagni
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Kamada, Mikio
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"Intermezzo Sinfonico&quo
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ACORDO Sheet Music
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.1477390 Composed by Pietro Mascagni. Arranged by Kamada, Mikio. 21st Century. 4 pages. ACORDO Sheet Music #1054806. Publi...
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Piano Trio - Level 3 - SKU: A0.1477390 Composed by Pietro Mascagni. Arranged by Kamada, Mikio. 21st Century. 4 pages. ACORDO Sheet Music #1054806. Published by ACORDO Sheet Music (A0.1477390). Cavalleria Rusticana is a tragic story that unfolds in a village in Sicily on Easter Sunday. Alfio becomes furious when he learns that his wife, Lola, has rekindled her relationship with her former lover, Turiddu. The piece that is played afterward is this intermezzo. In the end, Turiddu dies in a duel with Alfio. This intermezzo is very beautiful and poignant. Later, lyrics were added to this melody, and it became known as Mascagni's Ave Maria. While originally written for orchestra, this piece has been arranged for piano trio so it can be enjoyed in chamber music settings.
$3.60 ≈
3.22€
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano
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Classique
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Johann Sebastian Bach
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Kamada,Mikio
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Sinfonia from Cantata "Ic
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ACORDO Sheet Music
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SheetMusicPlus
Bassoon,Clarinet,Oboe,Piano - Level 3 - SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Musi...
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Bassoon,Clarinet,Oboe,Piano - Level 3 - SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60 ≈
3.22€
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Flute, Clarinet and Piano
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Flute, Clarinet and Piano
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ic
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ACORDO Sheet Music
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SheetMusicPlus
Level 3 - SKU: A0.1426547 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007247. Published by ACOR...
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Level 3 - SKU: A0.1426547 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007247. Published by ACORDO Sheet Music (A0.1426547). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for flute and clarinet. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60 ≈
3.22€
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for two Clarinets and Piano
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for two Clarinets and Piano
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ic
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ACORDO Sheet Music
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SheetMusicPlus
Bassoon,Clarinet,Piano - Level 3 - SKU: A0.1426548 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1...
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Bassoon,Clarinet,Piano - Level 3 - SKU: A0.1426548 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007248. Published by ACORDO Sheet Music (A0.1426548). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Clarinets. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60 ≈
3.22€
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Cor Anglais and Piano
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Cor Anglais and Piano
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ic
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ACORDO Sheet Music
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SheetMusicPlus
English Horn,Oboe,Piano - Level 3 - SKU: A0.1426549 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #...
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English Horn,Oboe,Piano - Level 3 - SKU: A0.1426549 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007249. Published by ACORDO Sheet Music (A0.1426549). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Oboe and Cor Anglais. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60 ≈
3.22€
"Intermezzo Sinfonico" from Cavalleria Rusticana for Piano Trio
"Intermezzo Sinfonico" from Cavalleria Rusticana for Piano Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Pietro Mascagni
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Kamada, Mikio
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"Intermezzo Sinfonico&quo
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ACORDO Sheet Music
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1430934 Composed by Pietro Mascagni. Arranged by Kamada, Mikio. 19th Century. 4 pages. ACORDO Sheet Mu...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1430934 Composed by Pietro Mascagni. Arranged by Kamada, Mikio. 19th Century. 4 pages. ACORDO Sheet Music #1011441. Published by ACORDO Sheet Music (A0.1430934). Cavalleria Rusticana is a tragic story that unfolds in a village in Sicily on Easter Sunday. Alfio becomes furious when he learns that his wife, Lola, has rekindled her relationship with her former lover, Turiddu. The piece that is played afterward is this intermezzo. In the end, Turiddu dies in a duel with Alfio.This intermezzo is very beautiful and poignant. Later, lyrics were added to this melody, and it became known as Mascagni's Ave Maria.While originally written for orchestra, this piece has been arranged for piano trio so it can be enjoyed in chamber music settings.
$3.60 ≈
3.22€
" Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Flute and Piano "
" Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Flute and Piano "
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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" Sinfonia from Cantata &
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ACORDO Sheet Music
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SheetMusicPlus
Bassoon,Flute,Oboe,Piano - Level 3 - SKU: A0.1422054 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music ...
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Bassoon,Flute,Oboe,Piano - Level 3 - SKU: A0.1422054 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1003395. Published by ACORDO Sheet Music (A0.1422054). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and flute.  The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60 ≈
3.22€
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Violin and Piano
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Violin and Piano
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ic
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ACORDO Sheet Music
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SheetMusicPlus
Cello,Oboe,Piano,Violin - Level 3 - SKU: A0.1417698 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #...
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Cello,Oboe,Piano,Violin - Level 3 - SKU: A0.1417698 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #999237. Published by ACORDO Sheet Music (A0.1417698). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The cello part is the same as the piano's left hand and is optional.
$3.60 ≈
3.22€
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
11.28€
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
11.28€
'Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Clarinet & Piano
'Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Brahms, Johannes
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Kamada, Mikio
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'Wie Melodien zieht es mir
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ACORDO Sheet Music
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.778001 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages....
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Clarinet,Piano - Level 3 - SKU: A0.778001 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #4786501. Published by ACORDO Sheet Music (A0.778001). Wie Melodien zieht es mir (It moves like a melody) is the first one in Fünf Lieder, Op.105. The melody is so beautiful, fluent and gentle. It is also suitable for playing with instruments.
$6.20 ≈
5.55€
'Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Horn & Piano
'Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Brahms, Johannes
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Kamada, Mikio
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'Wie Melodien zieht es mir
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ACORDO Sheet Music
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.778003 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pag...
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French Horn,Piano - Level 3 - SKU: A0.778003 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #4786503. Published by ACORDO Sheet Music (A0.778003). Wie Melodien zieht es mir (It moves like a melody) is the first one in Fünf Lieder, Op.105. The melody is so beautiful, fluent and gentle. It is also suitable for playing with instruments.
$6.20 ≈
5.55€
‘Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 in C Major for Viola & Piano
‘Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 in C Major for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Brahms, Johannes
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Kamada, Mikio
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‘Wie Melodien zieht es m
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ACORDO Sheet Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.778005 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. AC...
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Piano,Viola - Level 3 - SKU: A0.778005 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #4790591. Published by ACORDO Sheet Music (A0.778005). Wie Melodien zieht es mir (It moves like a melody) is the first one in Fünf Lieder, Op.105. The melody is so beautiful, fluent and gentle. It is also suitable for playing with instruments. The original key is A Major, however, C major was selected for Viola performance in this music note. This version is easier to play compared with the original key version (https://www.sheetmusicplus.com/title/21403493).
$6.20 ≈
5.55€
'Immer leiser wird mein Schlummer (Ever deeper down)' Op.105-2 in B-flat Major for Clarinet & Piano
'Immer leiser wird mein Schlummer (Ever deeper down)' Op.105-2 in B-flat Major for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Brahms, Johannes
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Kamada, Mikio
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'Immer leiser wird mein Schlum
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ACORDO Sheet Music
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.778008 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 5 pages....
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Clarinet,Piano - Level 3 - SKU: A0.778008 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 5 pages. ACORDO Sheet Music #4803175. Published by ACORDO Sheet Music (A0.778008). Immer leiser wird mein Schlummer (Ever deeper down) is the second one in Fünf Lieder, Op.105. The melody is beautiful and melancholic. The original key is E Major, however, B-flat major was selected for Viola performance in this music. In the bars, No. 15, 17, 19, 21, 42, 44, 45, 48, and 49, piano part plays syncopated rhythm. Not so skillful solo players might be difficult to synchronize with piano in this region. For such players, appropriate cue notes, which make clear the relationship between the solo and piano, are added on the solo part note. However as a result, it is not so clear to read the solo part note because of many cue notes. To bypass the problem, we prepare two types of solo part notes, one is full of cue notes, the other is simplified. Please use the former for studying.
$5.20 ≈
4.66€
Aria from Concerto Grosso, Op.6-12 HWV330 for Three Clarinets
Aria from Concerto Grosso, Op.6-12 HWV330 for Three Clarinets
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Clarinette
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Kamada, Mikio
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Aria from Concerto Grosso, Op.
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ACORDO Sheet Music
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.777996 Composed by George Frideric Handel. Arranged by Kamada, Mikio. Baroque. Individual part. 5 pages. ACORDO Sheet ...
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Clarinet Solo - Level 3 - SKU: A0.777996 Composed by George Frideric Handel. Arranged by Kamada, Mikio. Baroque. Individual part. 5 pages. ACORDO Sheet Music #4764889. Published by ACORDO Sheet Music (A0.777996). Handel's Concerto Grosso in B minor, Op.6-12 is for solo parts (2 Violins and Violoncello) and string orchestra. The movement III, Aria, is played in tutti of three voices without solos. It consists of a pastoral and beautiful theme and a vibrant variation. It is very enjoyable to play.
$6.20 ≈
5.55€
Valse in A minor Op.poth (KK IVb-11/BI-150) for Clarinet & Piano
Valse in A minor Op.poth (KK IVb-11/BI-150) for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Chopin, Fre’de’r
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Kamada, Mikio
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Valse in A minor Op.poth
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ACORDO Sheet Music
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.1269565 Composed by Chopin, Fre’de’ric (1810-1849). Arranged by Kamada, Mikio. Romantic Period. Score a...
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Clarinet,Piano - Level 3 - SKU: A0.1269565 Composed by Chopin, Fre’de’ric (1810-1849). Arranged by Kamada, Mikio. Romantic Period. Score and part. 3 pages. ACORDO Sheet Music #862150. Published by ACORDO Sheet Music (A0.1269565). This piece is dedicated to Countess Rothschild, one of Chopin's supporters and a family friend who was also his student during his later years. It is technically straightforward, yet it exudes a delightful and melancholic beauty.
$2.40 ≈
2.15€
'Immer leiser wird mein Schlummer (Ever deeper down)' Op.105-2 in B-flat Major for Viola & Piano
'Immer leiser wird mein Schlummer (Ever deeper down)' Op.105-2 in B-flat Major for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Brahms, Johannes
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Kamada, Mikio
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'Immer leiser wird mein Schlum
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ACORDO Sheet Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.778007 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 5 pages. AC...
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Piano,Viola - Level 3 - SKU: A0.778007 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 5 pages. ACORDO Sheet Music #4796815. Published by ACORDO Sheet Music (A0.778007). Immer leiser wird mein Schlummer (Ever deeper down) is the second one in Fünf Lieder, Op.105. The melody is beautiful and melancholic. The original key is E Major, however, B-flat major was selected for Viola performance in this music. In the bars, No. 15, 17, 19, 21, 42, 44, 45, 48, and 49, piano part plays syncopated rhythm. Not so skillful solo players might be difficult to synchronize with piano in this region. For such players, appropriate cue notes, which make clear the relationship between viola and piano, are added on the viola part note. However as a result, it is not so clear to read the viola part notes because of many cue notes. To bypass the problem, we prepare two types of solo part notes, one is full of cue notes, the other is simplified. Please use the former for studying.
$5.20 ≈
4.66€
‘Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Viola & Piano
‘Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
#
Brahms, Johannes
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Kamada, Mikio
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‘Wie Melodien zieht es m
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ACORDO Sheet Music
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.777999 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. AC...
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Piano,Viola - Level 3 - SKU: A0.777999 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #4784651. Published by ACORDO Sheet Music (A0.777999). Wie Melodien zieht es mir (It moves like a melody) is the first one in Fünf Lieder, Op.105. The melody is so beautiful, fluent and gentle. It is also suitable for playing with instruments.
$6.20 ≈
5.55€
Sonata Op.34-4 for Four Violas
Sonata Op.34-4 for Four Violas
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Alto seul
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INTERMÉDIAIRE
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-4 for Four Violas
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ACORDO Sheet Music
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.778021 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 19 page...
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Viola Solo - Level 3 - SKU: A0.778021 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 19 pages. ACORDO Sheet Music #5038493. Published by ACORDO Sheet Music (A0.778021). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-4 consists of the following movements;
$12.00 ≈
10.75€
Adagio from String Symphony No.8 in D major, MWV N8 for Clarinet Quartet
Adagio from String Symphony No.8 in D major, MWV N8 for Clarinet Quartet
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Clarinette
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INTERMÉDIAIRE
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Classique
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Mendelssohn-Bartholdy, Felix
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Kamada, Mikio
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Adagio from String Symphony No
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ACORDO Sheet Music
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.777976 Composed by Mendelssohn-Bartholdy, Felix (1809-1847). Arranged by Kamada, Mikio. Romantic Period. Individual pa...
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Clarinet Solo - Level 3 - SKU: A0.777976 Composed by Mendelssohn-Bartholdy, Felix (1809-1847). Arranged by Kamada, Mikio. Romantic Period. Individual part. 12 pages. ACORDO Sheet Music #4642197. Published by ACORDO Sheet Music (A0.777976). Felix Mendelssohn Bartholdy (1809-1847) composed 12 string symphonies when he was between 12 and 14 years old. Among them, No.8 is one of the most popular symphony, which was arranged for full orchestra by himself. Movement II, Adagio, is very special. Originally, It is played by only four instruments, three violas and bass. Very beautiful and attractive piece.
$9.20 ≈
8.24€
'Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Flute & Piano
'Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Brahms, Johannes
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Kamada, Mikio
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'Wie Melodien zieht es mir
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ACORDO Sheet Music
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.778000 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. AC...
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Flute,Piano - Level 3 - SKU: A0.778000 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #4785831. Published by ACORDO Sheet Music (A0.778000). Wie Melodien zieht es mir (It moves like a melody) is the first one in Fünf Lieder, Op.105. The melody is so beautiful, fluent and gentle. It is also suitable for playing with instruments.
$6.20 ≈
5.55€
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